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The Psychology of the Traveler |
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By Marta Steele - To speakers of English, the notion of
travel ties in with labor, French travailler. But the French associate travel
with being on the road, voyager, derived originally from Latin via
or road. For the Germans, reisen implies
the pirate’s brand of roving. Very early on the prototypical tourist Odysseus
took the ultimate voyage, climbing, falling, sailing, violating local protocol,
other times honoring it exquisitely, risking his life with huge gusto even
as he admitted fear… remember the beautiful passage in Book 5 (l. 271),
when travail subsides and calm voyaging replaces it: “neither did sleep
weigh down his eyelids as he contemplated … [various constellations are
named] .…” Seventeen days his voyage between Aiaia and Phaecia assumed this
halcyon plateau before one of the most famous wild storms in literature,
an “epic” description as paragon of the genre as the “Summer” segment of
Vivaldi’s Four Seasons. “Neither could his eyes close as he gazed in wonder
around him.” How often these words occur to me, a reminder never to close
my eyes when in new terrains, never to settle into the routine when I have
removed myself from it, en voyage …
- Being gone, the distance ravels round and
arms,
- What may be, is…
I wrote many years ago in Greece, a summer
of self-styled odyssey-ing and self-conscious imitation of Ezra Pound’s
educated wandering around Europe; note the affection of a dangling participle,
symptomatic of my extreme but self-conscious and purposefully displaced
stupor and disorientation. Sitting there in Syntagma Square (Athens’s answer
to Time Square, especially on New Year’s Eve) that day in 1975, baking in
the midsummer heat when all sensible people were at home taking siestas
(an art form I eschewed the entire summer according to the “keep your eyes
open when you’re en voyage” principle), I realized that I could tell anyone
back home absolutely anything I wanted to and they’d have no way on earth
to verify it. As a matter of fact, little fabrication turned out to be necessary,
but the black hole of possibility opened up to me that day; moreover: anything
that occurred there, even purchasing a loaf of packaged bread (an act of
sacrilege where there are so many wonderful bakeries) takes on exotic overtones.
From this mellow perspective, I think of the time I realized that no church
could turn me away, nor synagogue, and exploited that possibility to the
fullest. I always justify this sort of “travel” as a writer, an identity
that has opened all sorts of windows for me. We are confined by so many
useless preconceptions that so limit our perspectives. Traveling… helps.
I travel far more tamely these days than
I used to, but I still enjoy the ways to and from places far more than BEING
THERE. Go figure that one. The climb up Mt. Olympus was so exquisite, the
actual summit so boring, bare, colorless. A stone surface and a little stand
with a sign-in book and a lackadaisical Greek flag. The wit of the day was
someone else, a German who had earlier queried in this book, “Where are
the gods?” I could think of nothing to top that but did wonder to myself
how they would ever have chosen this place, but of course they can create
paradise of any wilderness and may have been inhabiting that same plain
on a different dimension, laughing at our bewilderment. I never rule out
that scientific likelihood, especially in the context of discussions of
how limited our five senses really are. As much as we see, how little it
must be compared to the ultimate realities, whatever they are. In my earlier
adulthood (my college years), I also greatly preferred the ways en route
anywhere, but then, because my destiny was such a huge question mark, a
behemoth burden, that I was always greatly relieved at the chance to hand
over, at least for a few hours, that wretched weight to someone
else. In airplanes I was particularly helpless and therefore least responsible
for my fate - what a relief, even for a nervous flier. Later, in my wanderings
around Greece, for instance, the question evolved more abstractly into contrasted
stillness and motion, with motion the greatly preferred alternative. Perhaps
beneath the road to the museum I knew the earth held so much more than whatever
we’ve already discovered; perhaps I preferred the outdoors to the silence
of the glass cases and polished floors; perhaps my imagination was more
fired by nature than culture…who knows? As much as I wanted to be anywhere,
getting there was always a letdown and I myself was let down at my own disappointed
arrivals always. Why couldn’t I be happier to arrive?
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